창작레지던시
Filippo Minelli
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관리자
2014.05.28
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Email/ info@filippominelli.com
Homepage/ filippominelli.com
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EDUCATION
2002/2006 BFA in New Media for the Arts, Academy of Fine Arts on Brera, Milano Italy, prof. Jacqueline Ceresoli
SOLO EXHIBITIONS
2012 “Silence Shapes”, Ruttkowski 68 Gallery, Cologne / Germany “Discussion, contrasti fra messaggi, segni e materia”, curated by Silvia Scaravaggi. Palazzo d’Accursio, Bologna / Italy
2011 “ITLIA DI MRD, learn to hate and then to write”, curated by Rossella Farinotti. ROJO Artspace, Milano / Italy “Paintings, esplorazione astratta del linguaggio, del silenzio e del colore”, curated by Piera Cristiani. Hotel Vittoria, Brescia / Italy
2010 “Vipassana”, curated by Stefano Verri. WhiteProject Gallery, Pescara / Italy “Random words”, curated by Vittorio Sgarbi and Stefano Verri. Galleria Civica Palazzo Todeschini, Desenzano del Garda / Italy
2009 “You know me” Noordkaap Foundation, Dordrecht / Netherlands
2007 “Studio del colore” Centro Culturale Espositivo Spazio6, Brescia / Italy
2011 “ITLIA DI MRD, learn to hate and then to write”, curated by Rossella Farinotti. ROJO Artspace, Milano / Italy “Paintings, esplorazione astratta del linguaggio, del silenzio e del colore”, curated by Piera Cristiani. Hotel Vittoria, Brescia / Italy
2010 “Vipassana”, curated by Stefano Verri. WhiteProject Gallery, Pescara / Italy “Random words”, curated by Vittorio Sgarbi and Stefano Verri. Galleria Civica Palazzo Todeschini, Desenzano del Garda / Italy
2009 “You know me” Noordkaap Foundation, Dordrecht / Netherlands
2007 “Studio del colore” Centro Culturale Espositivo Spazio6, Brescia / Italy
SELECTED GROUP EXHIBITIONS
2012 Singapore International Photography Festival, Singapore Art Museum, Singapore UTOPRAXIA, The Art Foundation, Athens / Greece
FAHR.1, Centre d’Art Terres de L’Ebre, Amposta / Spain
BYOB, Museo Pecci, Milano / Italy
2011 54° BIENNALE DI VENEZIA Padiglione Italia, Palazzo Lombardia, Milano / Italy
ACT/OUT, Onomatopee Foundation, Eindhoven / Netherlands
PARATY EM FOCO, 7° Festival internacional de Fotografia, Paraty / Brazil
ADIOS OLANDA, WhiteBox, Munich / Germany
NOVA, Fundação Casa França-Brasil, Rio de Janeiro / Brazil
2010 “InTemporanea”, Museo di Santa Giulia, Brescia / Italy
“FotoGrafia” Festival Internazionale di Fotografia, MACRO, Roma / Italy
“NOVA-Contemporary Culture”, Museu da Imagem e do Som, São Paulo / Brazil
2009 “Observatori”, Museu de les Drassanes, Valencia / Spain
“Ocho” , Rojo Artspaces, Barcelona Spain / Milano Italy
2008 “Urban Art”, Espacio Centro Cultural Recoleta,Buenos Aires Argentina
“Industrial lies” , Galleria Dispari&Dispari, Reggio Emilia Italy
“Italian Street-Art meets Brasil”, Museu de Arte Contemporanea da Universidade Sao Paulo / Brasil
FAHR.1, Centre d’Art Terres de L’Ebre, Amposta / Spain
BYOB, Museo Pecci, Milano / Italy
2011 54° BIENNALE DI VENEZIA Padiglione Italia, Palazzo Lombardia, Milano / Italy
ACT/OUT, Onomatopee Foundation, Eindhoven / Netherlands
PARATY EM FOCO, 7° Festival internacional de Fotografia, Paraty / Brazil
ADIOS OLANDA, WhiteBox, Munich / Germany
NOVA, Fundação Casa França-Brasil, Rio de Janeiro / Brazil
2010 “InTemporanea”, Museo di Santa Giulia, Brescia / Italy
“FotoGrafia” Festival Internazionale di Fotografia, MACRO, Roma / Italy
“NOVA-Contemporary Culture”, Museu da Imagem e do Som, São Paulo / Brazil
2009 “Observatori”, Museu de les Drassanes, Valencia / Spain
“Ocho” , Rojo Artspaces, Barcelona Spain / Milano Italy
2008 “Urban Art”, Espacio Centro Cultural Recoleta,Buenos Aires Argentina
“Industrial lies” , Galleria Dispari&Dispari, Reggio Emilia Italy
“Italian Street-Art meets Brasil”, Museu de Arte Contemporanea da Universidade Sao Paulo / Brasil
SELECTED BIBLIOGRAPHY AND PRESS
2012 Chuan Art, issue 2 p.40/45, Taiwan
High Touch, p.216/217 Gestalten, Germany
Afterzine, issue 3 p.35, USA
Harper’s Magazine, Vol.324 n°1945 p.19, USA
David Larousserie, LE MONDE, issue 20852 p.4/5 Sience&Techno, France
High Touch, p.216/217 Gestalten, Germany
Afterzine, issue 3 p.35, USA
Harper’s Magazine, Vol.324 n°1945 p.19, USA
David Larousserie, LE MONDE, issue 20852 p.4/5 Sience&Techno, France