School of Visual Arts, New York, NY

Carnegie Mellon University, Pittsburgh, PA

“As American As”: project in conjunction with P.P.O. W. Gallery to fund my own SuperPac
which resulted in the creation and sale of twenty works of art. Attendance at two senate swearing in ceremonies in Washington, DC.

Working in the Lou, Bruno David Gallery, St. Louis, MO

Pound of Flesh, P·P·O·W, New York, NY

Unsolicited, McCarthy Gallery, St. Michael’s College, Colchester VT

Winner Takes All, Solway Jones Gallery, Los Angeles, CA
Homestyle: A Survey of Works on Paper, South Bend Regional Museum of Art, South Bend, IN

The Low Road, Delaware Center for the Contemporary Arts, Wilmington, DE

The World Brought Low, St. Louis MO, Contemporary Museum, St. Louis, MO

Throb, P·P·O·W, New York, NY

P·P·O·W, New York, NY

Show Quality Bitches, P·P·O·W, New York, NY

P·P·O·W, New York, NY

Amy Lipton Gallery, New York, NY

Berland Hall Gallery, New York, NY

Bess Cutler Gallery, New York, NY

Elizabeth McDonald Gallery, New York, NY

Ernst Alexander Gallery, Washington, DC

P.P.O.W. Gallery Armory Exhibition, New York, NY
“Higher Education” curated by Danielle Tegeder, Lehmann College, Bronx, NY traveling to Hamilton College, Clinton, NY

Pennsylvania Academy of Fine Arts, Philadelphia, PA curated by Robert Cozzolino: George Tooker, Katharine Kuharic, Peter Blume and Gregory Gillespie

“Consumed: Nourishment and Indulgence,” curated by Jacqueline Nathan, Willard Wakelman
Museum, Bowling Green Sate, Bowling Green, OH
Texas Contemporary, International Art Fair, P.P.O.W. Gallery, Houston, TX
Gala Benefit, Contemporary Art Museum of Houston, Houston, TX
Trends in Contemporary Drawing, Curated by Sylvia deSwaan, Kirkland Art Center,
Clinton, NY
Lesbian Herstory Archive Benefit Auction, Alexander Grey Gallery, NY, NY
Hamilton College Faculty Exhibition, Wellin Museum of Art, Clinton, NY

Pennsylvania Academy of Fine Arts – The Female Gaze: Women Artists Making their World.
Permanent Collection, Linda Lee Alter, Philadelphia, PA

International Art Conference, Ford Foundation, New York, NY
Collaborative Drawings of Katharine Kuharic, Jamie Adams, Zolla Lieberman, Chicago, IL
Cinematic Bodies, Zolla-Lieberman Gallery, Chicago, IL
Paris Dream, Collaborative Drawings of Katharine Kuharic, Jamie Adams and Tony Fisher,
Philip Slein Gallery, St. Louis, MO

Sacred and Profane, Portsmouth Museum of Fine Art, Portsmouth, NH

Neo Rococo Show, Shore Institute of the Contemporary Arts, Long Branch, NJ
Private (Dis)play, New York Academy of Art, New York, NY
Private (Dis)play, Emerson Gallery,Hamilton College, Clinton, NY
Private (Dis)play, COCA, St. Louis, Missouri

Ultra-Concentrated Joy – Ecstatic Drawings by Contemporary Artists Pier Consagra, Amy Cutler, Katharine Kuharic, Judith Schaechter, & Scott Teplin, curated by Catherine Howe, New York Academy of Art, New York, NY
Privates (Dis)Play: Contemporary Drawings by Jamie Adams, Vincent Desiderio, Julie Heffernan, Katharine Kuharic & Kurt Kauper, COCA St. Louis, MO
Reciprocity, Faculty Student Exhibition, Emerson Gallery Hamilton Gallery, Clinton, NJ
Out of the Dust: Works by Katharine Kuharic, Cindy Tower, Sarah Paulsen, Locust Street Gallery, St. Louis, MO

The Story Goes, McKenzie Fine Art, New York, NY
Art Chicago Contemporary Art Fair, P·P·O·W, Chicago, IL
Homestyle: A Survey of Works on Paper South Bend Regional Museum, South Bend, IN

PULSE Contemporary Art Fair, P·P·O·W, Miami, FL
American Eden, Jenkins Johnson Gallery, New York, NY
Outland: Leslie Kneisel, Katharine Kuharic, Alexis Rockman and Jim Wainscott, Solway Jones, Los Angeles, CA
100% Centennial, Carnegie Mellon University, Regina-Gouger Miller Gallery, Pittsburgh, PA

Bruno David Gallery, St. Louis, MO

Credit Suisse, First Boston, New York, NY
21, P.P.O.W, New York, NY
Democratic Victory 2004, Benefit auction, Ronald Feldman Fine Arts, New York, NY
Benefit Auction, Art in General, New York, NY
Faculty Show, Washington University in St. Louis, St. Louis, MO
Women Only, Eliot Smith Contemporary, St. Louis, MO
Painting Since 1990, The Sheldon, St. Louis, MO

Schmidt’s Picks, Philip Slein Gallery, St. Louis, MO
Philip Slein Gallery, St. Louis, MO
Take Home a Nude, Benefit Auction, New York Academy, New York, NY

SVA Commemorates 9/11 (Faculty show), Art and Observance, School of Visual Arts Museum, NY
Social Landscape, P·P·O·W, New York, NY
Benefit Silent Auction and Gala, White Columns, New York, NY
Bitch School, Longwood Arts Project, P.S.39, Bronx, NY

I Love NY Benefit, P·P·O·W, New York, NY
Instructors Show, Cooper Union, New York, NY

Wine, Women & Wheels, White Columns, New York, NY
nude + narrative, P·P·O·W, New York, NY
The New Museum of Contemporary Art Benefit Show, New York, NY

Wishful Thinking, James Graham & Sons, New York, NY
White Columns Benefit Auction, New York, NY
Take Home a Nude, Benefit Auction, New York Academy, New York, NY
Elbowroom, Shelia Pepe, Julia Kunin, Marilyn Minter, Tredje Sparet, Stockholm, Sweden
Peep Show, Luise Ross Gallery, New York, NY
some WOMEN/PRETTY girls, Florida Atlantic University, Boca Raton, FL
Drawings, James Graham and Sons, New York, NY.

Annual Summer Watercolor Exhibition, New York, NY
Screen Memories, K & E Gallery, New York, NY
Anima Munda, James Graham & Sons, New York, NY
White Columns Benefit Exhibition, White Columns, New York, NY

Bodies Terrestrial, curated by Christopher Sweet, Zoller Gallery, The Pennsylvania State University, University Park, PA
On the Brink 1900-2000: The Turning of Two Centuries, Galerie St. Etienne, New York, NY

The Obscure Object of Desire, exhibition and panel discussion curated and moderated by Dan Cameron, organized by Marilla Palmer, Four Walls, Brooklyn, NY
Page 5, 450 Broadway, New York, NY
White Columns Benefit Exhibition, White Columns, New York, NY
Fallen Idylls: American Figurative Painting, Art Miami ‘94, Miami, FL. Travelling to Martin County Center for the Arts, Stuart, FL

Cadavre Exquis, The Drawing Center, New York, NY
Littlejohn-Sternau Gallery, New York, NY
Tom Cugliani Gallery, New York, NY
The New Museum of Contemporary Art Benefit Show, New York, NY
The Anti-Masculine, Kim Light Gallery, Los Angeles, CA

Fall, Amy Lipton Gallery, New York, NY
Shapeshifters, Amy Lipton Gallery, New York, NY
Nature Fabrilis, Steibel Modern Gallery, New York, NY
White Columns Benefit Show, New York, NY

FIAR Inc. The Fiar International Prize, Milan, Italy; Rome, Italy; Paris, France; London, England; New York, NY; Los Angeles, CA (catalogue)

New Generations, New York, Carnegie Mellon University, Pittsburgh, PA (catalogue)
Drawing Time, Snug Harbor Cultural Center, Staten Island, NY (catalogue)
Humor, Satire and Irony: Definitions and Discoveries, Krasdale Food Corp., Lehman College Art Gallery, Bronx, NY
Menagerie, General Electric, curated by the Museum of Modern Art, New York, NY
Dumb Animal, White Columns, NY
Althea Viafora, New York, NY
White Columns Benefit Show, New York, NY

Bess Cutler Gallery, New York, NY
Small and Stellar, Ruth Siegel Gallery, New York, NY
Surrealismo, Mendelson Gallery, Pittsburgh, PA
Vulgar Realism, Hallwalls Gallery, Buffalo, NY
Soho Center for Visual Artists, New York, NY

Ten Painters, White Columns, New York, NY

Retroactive, Hallwalls Gallery, Buffalo, NY (catalogue)
Gallery Show, Exit Art, New York, NY

Wet Paint, Forbes Gallery, Pittsburgh, PA
Mattress Factory, Pittsburgh, PA

Prospective Artists, Pittsburgh Plan for Art, Pittsburgh, PA
25 Under 25, Southern Alleghanies Museum of Art, Johnstown, P

Rockefeller Fellow, Rockefeller Foundation, Study and Conference Center, Bellagio, Lake Como, Italy
Project Space Grant, Contemporary Museum, Saint Louis, MO

Kenneth and Nancy Kranzberg Foundation, St. Louis, MO
Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts
Foundation

Milton and Sally Avery Fellow, MacDowell Colony, Milton and Sally Avery Arts Foundation

NY Arts Recovery Fund, Grant Awards – NY Foundation for the Arts
College Art Association, Fellowship grant

Penny McCall Foundation

FIAR International Prize

Art Matters, Incorporated

Ludwig Vogelstein Foundation

Ellis Award, Carnegie Mellon University

Rockefeller Foundation Study and Conference Center, Bellagio, Lake Como, Italy

MacDowell Colony, Artist Residency, Peterborough, NH

Essay, “Yellow” International Color Issue, Hand/Eye Magazine

Catalogue Essay, Joan Hall, Bruno David Gallery, St. Louis, MO

UCLA Gendered Transnationalism Conference (posters, billboards and bus advertisements)

Jane DeLynn. Cover, Leash. Semiotexte, MIT PRESS.

Book illustrated by Katharine Kuharic. One Leaf Fell, Stewart Tabori and Chang.
Project Pages, Bomb magazine

Kevin Kennedy Professor, Hamilton College, Clinton, NJ

Kevin Kennedy Associate Professor, Hamilton College, Clinton, NJ

Critic and artist in Residence, Yale University School of Art, Norfolk, CT

Coordinator, Painting Department, Associate Professor of Painting, Washington University in St. Louis, St. Louis, MO

Coordinator, Painting Department, Assistant Professor of Painting, Washington University in St. Louis, St. Louis, MO

Visiting Assistant Professor of Painting, Yale University School of Art, New Haven, CT

Assistant Professor of Painting, Washington University in St. Louis, MO

Lecturer in Painting, Washington University in St. Louis, MO

Instructor, School of Visual Arts, New York, NY

Graduate Thesis Advisor, School of Visual Arts, New York, NY

Adjunct Professor, The New School, New York, NY

Adjunct Professor, Parsons School of Design, New York, NY

Art Program Review, Weslyan University, Hartford, CT

The Dean’s Scholarly Achievement Award for a Notable Year, Hamilton College, Clinton, NY

The Class of 1962 Teaching Award, Hamilton College, Clinton, NY

San Francisco Art Institute, San Francisco, CA
Brookhaven College, Dallas, TX
Southern Illinois University, Edwardsville, IL
Yale University School of Art, Yale Norfolk, Artist in Residence, Critic, Norfolk, CT
Indiana University, Bloomington, IN
Art Center, Pasadena, CA
Ethical Society, St. Louis, MO
University of Notre Dame, South Bend, IN
Queens College, New York, NY
Rockefeller Foundation Study and Conference Center, Bellagio, Lake Como, Italy
Southern Illinois University, Carbondale, IL
Yale University, New Haven, CT
Saint Louis Art Museum, Saint Louis, MO
Columbia University, New York, NY
Washington University in Saint Louis, Saint Louis, MO
Glassel School of Art, Houston, TX
Idaho State University, Pocatello, ID
Hartford School of Art, University of Hartford, West Hartford, CT
New York University, New York, NY
New York Academy of Art, New York, NY
Otis School of Art, Los Angeles, CA
School of Visual Arts, New York, NY
Brooklyn Museum of Art, Brooklyn, NY
University of Missouri in St. Louis, St. Louis, MO
Contemporary Museum, St. Louis, MO

Kennedy Center for Theatre and The Studio Arts, Hamilton College, Clinton, NY “Higher Education,”
Contemporary Painting Panel with Danielle Tegeder and Carl Ostendarp
Kirkland Art Center, Trends in Contemporary Drawing panel, moderated by Sylvia deSwaan, Clinton, NY
BRIO (Bronx Rewards Its Own) Council on the Arts Award, Bronx, NY
Four Walls, Brooklyn, NY
Snug Harbor, Staten Island, NY
Kennedy Center for Theatre and The Studio Arts, Hamilton College, Clinton, NY “A Place for Art,”
moderated by Tracy Adler and Mary Schmidt Campbell

Art in General, Venice Biennale Committee, Latvian Pavillion, Venice Italy & NY, NY

American Academy of Arts and Letters Award
Joan Mitchell Award
Joan Mitchell Award
Louis Comfort Tiffany Award
Louis Comfort Tiffany Award

Nathan, Jacqueline, Essay, catalogue. “Consumed: Nourishment and Indulgence,” Willard
Wakelman Museum, Bowling Green State University, Bowling Green, OH
deSwaan, Sylvia, Essay, Trends in Contemporary Drawing Exhibition, Kirkland Art Center, Clinton, NY
Wilkins, Gordon Dearborn, Essay, Faculty Exhibition, Wellin Museum of Art, Clinton, NY

Meyers, Terry, “The Payback of a Painting can be a Beautiful Thing” Essay for Pound of Flesh Exhibition Catalogue, P.P.O.W. Gallery, NY, NY
Review of “Pound of Flesh,” P.P.O.W. Gallery,Time Out New York

Hand/Eye Magazine, Edition 06, October 2011, Global Color
Russell, Christopher, Studio Visit- New York, Interview, Artillery magazine, Issue Number 5, May June

Gillespie, Evan, Harsh and Amiable, review of Homestyle: A Survey of Work on Paper by Katharine Kuharic, South Bend Tribune, April 1, 2007.
Moran, Laura, Upcoming Art Events-Homestyle Arts Everywhere Magazine, Spring 2007 (reproduction).
Frackiewicz, Dorota, Dzikie Wisne Kultura Popularna W Tworczosci Katharine Kuharic, Wild Cherries. Popular Culture in the Art of, Katharine Kuharic, (multiple reproductions), article in Polish from the journal Sztukaifilozofia, Uniwersytet Warszawski Instytut Filozogii.
Bonetti, David, Technology takes the personal out of personal Expression, St Louis Post – Dispatch, April 22, 2007, (reproduction)

Bonetti, David, review of Bruno David exhibition, St. Louis Post-Dispatch, Nov 8, 2005.
Dischinger, Mark, Superfantastic Four, review of Contemporary Art Museum exhibition, Riverfront Times, March 16-22, 2005. pg. 29.
On the Road: Art Museums, Kansas City Star, May 26, 2005.
SH Magazine, June 2005.
Bonetti, David, review of The World Brought Low, St. Louis Post-Dispatch. April 3, 2005.
(http://www.stltoday.com/stltoday/entertainment/reviews.nsf/art/story/FAE41F381B36841C86256FD700053AAC?OpenDocument)
Cox, Joshua, A Look At New Art, Playback Magazine, Philip Slein Gallery, St. Louis, MO.
Clark, Robin, Museum Magazine, April 3, 2005. St. Louis Art Museum, MO.
Bonetti, David. Lecture at the St. Louis Art Museum, St. Louis Post-Dispatch.

Levin, Kim, review of THROB, The Village Voice, June 9-15, 2004. pg. 85.
THROB, full color catalogue, contains essays by David Humphrey and Keith
Recker, and an excerpt from the novel Leash (Semiotext/MIT Press 2002) by Jane DeLynn, P·P·O·W.
Bonetti, David, review of Women Only at Eliot Smith Contemporary. St. Louis Post – Dispatch, May 9, 2004.

Bonetti, David. Slein Gallery Show is Heavy with Allegorical Paintings. St. Louis
Post-Dispatch, Nov. 2, 2003. pg. C8 (reproduction)
Bonetti, David. Schmidt’s Picks: A New Look at Contemporary Art in St. Louis Since 1990. St. Louis Post-Dispatch, Dec 7, 2003. pg B10
Zapf, Rudy. Kuharic’s Super-Clear Tilt. Playback. December 2003. pg 23, 29 (reproductions)

Artsy Magazine, review with images reproduced.

Village Voice, Kim Levin, review Wine, Women and Wheels

Parkette Magazine, interview with Andrea Rosen

“L’ Arte conceptuale e un losco affare che ha succeso se umilia la pittura.” Tema Celeste, October-December 1999, pg. 69

Out, February 1998, pg.48, (reproduction).
Halle, Howard, Time Out, July 23, 1998. Issue 147.
Cotter, Holland, “Peep Show,” review, New York Times, July 10, 1998.
Faulds, Rod, “some WOMEN/PRETTY girls,” brochure, The Schmidt Center Gallery, Florida Atlantic University.
Arning, Bill. “Sexuality in Contested Space,” essay in brochure for “Elbowroom,” Tredje Sparet, Stockholm, Sweden.
Van der Heeg, Erik, “Elbowroom,” essay in brochure for “Elbowroom,” Tredje Sparet, Stockholm, Sweden.
“Elbowroom,” review, Afton Bladet, July 18, 1998. Stockholm, Sweden.
“Elbowroom,” review, QX, August 1998, Stockholm, Sweden
Hellberg, Susanna, “Stockholms Tip Set,” Dag DN, Stockholm, Sweden

Arning, Bill, Review, Time Out, May 15 – 22, 1997. pg. 46 (reproduction).

Goldberg, Vicki, “1890’s or 1900’s, the Visions Are of an Apocalypse Soon,” The New York Times, May 14, 1995. Section 2.

Sweet, Christopher, “Fallen Idylls: American Figurative Painting,” brochure with color reproduction, published by Art Miami 1994.

Cameron, Dan. FIAR International Prize 1991-93, catalogue essay.
Cotter, Holland. “Nature Fabrilis,” The New York Times, July 3, 1992.
Bomb, Summer 1992. (illustrated)
Faust, Gretchen. Review, Arts Magazine, April, 1992.
Levin, Kim and Elaine King. “New Generations, New York,” catalogue essay, Carnegie Mellon, Pittsburgh, PA.
Georgia, Olivia. Catalogue, “Drawing Time,” Snug Harbor Cultural Center, Staten Island, NY.

Gilbard, Florence. “Kuharic’s Theft,” Museum Arts Magazine, December 1988.
Sax, George. “Bemused Alienations,” The Buffalo News, October 3, 1988.

Howe, Catherine. “Retroactive,” catalogue essay, Hallwalls Gallery, Buffalo, NY