창작레지던시
Gottfried Haider
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관리자
2014.05.28
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Email/ gottfried.haider@gmail.com
Homepage/ http://cargocollective.com/gott
EDUCATION
Gottfried Haider was born in 1985 in Vienna. He studied Digital Arts at University for Applied Arts Vienna as well as at Piet Zwart Institute Rotterdam. In 2010 he was awarded a Fulbright Scholarship to the United States. He recently finished his MFA in Design Media Arts at the University of California, Los Angeles.
RESUME
A selection of past exhibitions and festival participations:
2013 Exhibition 100%, New Wight Gallery, Los Angeles / US
2012 Exhibition dOCUMENTA (13), Kassel / DE
2011 Exhibition FILE Machinima, Sao Paolo / BR
2010 Workshop at iMAL, Brussels / BE
2010 Presentation at International Symposium on Electronic Arts (ISEA), Ruhr area / DE
2010 Exhibition Critical Glitch Artware Selection, Cleveland / US
2010 Exhibition Dadamachinima, deSingel, Antwerp / BE
2008 Performance at transmediale, Berlin / DE
2004 Award of Distinction (2nd place) at Prix Ars Electronica, Linz / AT
2013 Exhibition 100%, New Wight Gallery, Los Angeles / US
2012 Exhibition dOCUMENTA (13), Kassel / DE
2011 Exhibition FILE Machinima, Sao Paolo / BR
2010 Workshop at iMAL, Brussels / BE
2010 Presentation at International Symposium on Electronic Arts (ISEA), Ruhr area / DE
2010 Exhibition Critical Glitch Artware Selection, Cleveland / US
2010 Exhibition Dadamachinima, deSingel, Antwerp / BE
2008 Performance at transmediale, Berlin / DE
2004 Award of Distinction (2nd place) at Prix Ars Electronica, Linz / AT
ARTIST’S STATEMENT
As an artist I am interested in the role technology plays in contemporary cultural and artistic creation. How do the tools we use (and create ourselves) determine what is being produced by them? Can we use software to ask questions or to formulate a critique? Can we hack, or reconfigure, existing software or systems as a sort of intervention?
My work is primarily conceptually and secondary visually guided. I am interested in systems, which can be physical, biological or social. I believe that software can function as a carrier of meaning, and I am working towards ways this can be more easily read.
My work is primarily conceptually and secondary visually guided. I am interested in systems, which can be physical, biological or social. I believe that software can function as a carrier of meaning, and I am working towards ways this can be more easily read.
Many of my work have a humorous side to it, e.g. when I fly a helium balloon over an island (in: “Im Nebelmeer ueber Plocica”), whose rotating video frames I have to later manually rotate in order to archive something similar to Google Earth. I believe this to be a good way of engaging with the monotony of systems, and our common perceptions about them.
